Korg nano. PAD2 Slim- Line USB Drum Pad Controller Black. Extremely compact and slim- line drum pad MIDI controller. Like all nano. SERIES2 controllers, the nano. PAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nano. PAD2 also had to pack in 1. X- Y touchpad! The Korg nano. PAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 6. Dynamic trigger pads capture all your performance nuances. The sixteen velocity- sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life.
Here's Another Look At What You Get: DUBturbo 3.0 Software - Download on the next page-$39.95! limited! Over 3000 Samples preloaded - All custom & hot -.wav - use w. By switching between the four scenes, you can experience 6. Create musical phrases using the X- Y touchpad, Touch Scale, and Gate Arp features. The X- Y pad can be used to control multiple synthesizer parameters. In addition, the new "Touch Scale" function lets you intuitively play phrases on the X- Y touchpad, just as on the Kaossilator. You can choose from sixteen different scales, and specify the root key and note range to ensure that your performance stays within your song. The "Gate Arp" function, borrowed from the Kaossilator Pro, transmits note data based on tempo; Tap tempo and tempo sync are supported. The 6.0 version of Microsoft Visual Basic is available as a free download on our software library. The latest installation package that can be downloaded is 3.1 MB in.Combined with the Touch Scale, the Gate Arp allows you to play tempo- synchronized phrases and rhythms simply by stroking the X- Y pad or playing the pads. Korg Kontrol Editor software. The nano. PAD2 works with the "Korg Kontrol Editor" software - available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. Choose from a total of four velocity settings: three velocity curves or fixed velocity. You can also specify note numbers, create user scales for the Touch Scale function, assign chords, assign control change messages, and save your settings. USB power for an uncluttered setup. Just connect a single USB cable from your computer to the nano. PAD2, and you've got a quick and portable music production system. Power and USB- MIDI data travels down the same wire for a clean, efficient workspace. Drum kit - Wikipedia. A drum kit — also called a drum set, trap set, or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi- hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel- Sachs high- level classification 2) and idiophones - most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel- Sachs high- level classification 1).[2] In the 2. Hornbostel- Sachs classification 5. Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used. A standard modern kit (for a right- handed player), as used in popular music and taught in music schools,[3][4] contains: A snare drum, mounted on a stand, placed between the player's knees and played with drum sticks (which may include rutes or brushes)A bass drum, played by a pedal operated by the right foot, which moves a felt- covered beater. One or more toms, played with sticks or brushes (usually three toms: rack tom 1 and 2, and floor tom)A hi- hat (two cymbals mounted on a stand), played with the sticks, opened and closed with left foot pedal (it can also produce sound with the foot alone)One or more cymbals, mounted on stands, played with the sticks. All of these are classed as non- pitched percussion, allowing for the music to be scored using percussion notation, for which a loose semi- standardized form exists for the drum kit. If some or all of them are replaced by electronic drums, the scoring and most often positioning remains the same, allowing a standard teaching approach. The drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the guitar or piano.[5] The drum kit is a part of the standard rhythm section used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. Other standard instruments used in the rhythm section include the piano, electric guitar, electric bass, and keyboards. Many drummers extend their kits from this basic pattern, adding more drums, more cymbals, and many other instruments including pitched percussion. In some styles of music particular extensions are normal, for example double bass drums in heavy metal music and the enlarged kits used by some progressive rock drummers, which may include unusual instruments such as gongs. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup. Some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. South African jazz drummer Louis Moholo playing a four- piece kit. One of the conventions of drum kit playing is that the number of "pieces" in a kit only counts the drums, not the cymbals or other percussion instruments. History[edit]. Dance band drummer Stan Farmer in 1. Mark Foy's Empress Ballroom in Sydney, New South Wales, using a kit with bass drum pedal and a "low sock". Early development[edit]Prior to the development of the drum set, the standard way that drums and cymbals were used in military and orchestral music settings was to have the different drums and cymbals played separately by different percussionists. Thus, in an early 1. In the 1. 84. 0s, percussionists began to experiment with foot pedals as a way to enable them to play more than one instrument. In the 1. 86. 0s, percussionists started combining multiple drums into a set. The bass drum, snare drum, cymbals, and other percussion instruments were all played using hand- held drum sticks. Drummers in musical theater shows and stage shows, where the budget for pit orchestras were often limited, contributed to the creation of the drum set because they tried to develop ways so that one drummer could do the job of multiple percussionists. Double- drumming was developed to enable one person to play the bass and snare with sticks, while the cymbals could be played by tapping the foot on a "low- boy". With this approach, the bass drum was usually played on beats one and three (in 4/4 time). While the music was first designed to accompany marching soldiers, this simple and straightforward drumming approach eventually led to the birth of ragtime music when the simplistic marching beats became more syncopated. This resulted in a greater 'swing' and dance feel. The drum set was initially referred to as a "trap set", and from the late 1. By the 1. 87. 0s, drummers were using an "overhang pedal". Most drummers in the 1. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1. Liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist (thus the term "kick drum"). The bass drum became the central piece around which every other percussion instrument would later revolve. Mr. Fisch Dickson, and his brother, Mr. Lookas Dickson, founded the Dickson & Dickson Co. It was the golden age of drum building for many famous drum companies, with Ludwig introducing.. The ornately engraved" Black Beauty Brass Snare drum; Slingerland premiered its Radio King solid- maple shell; Leedy invented the floating drum head & self- aligning lug; & Gretsch originated the three- way tension system of the Gladstone snare drum".[8] Wire brushes for use with drums and cymbals were introduced in 1. The need for brushes arose due to the problem of the drum sound overshadowing the other instruments on stage. Drummers began using metal fly swatters to reduce the volume on stage next to the other acoustic instruments. Drummers could still play the rudimentary snare figures and grooves with brushes they would normally play with drumsticks. As brushes gained popularity,2. Drummer in a Memphis "juke joint" orchestra playing a kit with four non- tunable toms. Marion Post Wolcott, October 1. Louis Bellson with the Duke Ellington Orchestra at the Palomar Supper Club. Vancouver, B. C., 1. April 1. 95. 2By World War I, drum kits were often marching band- style military bass drums with many percussion items suspended on and around them. Drum kits became a central part of jazz music, especially Dixieland. The modern drum kit was developed in the Vaudeville era during the 1. New Orleans.[9] In 1. New Orleans band called "The Original Dixieland Jazz Band " recorded jazz tunes that became hits all over the country. These were the first official jazz recordings. Drummers such as Baby Dodds, "Zutty" Singleton and Ray Bauduc had taken the idea of marching rhythms, combining the bass drum and snare drum and "traps", a term used to refer to the percussion instruments associated with immigrant groups, which included miniature cymbals, tom toms, cowbells and woodblocks. They started incorporating these elements with ragtime, which had been popular for a couple of decades, creating an approach which evolved into a jazz drumming style. Budget constraints and space considerations in musical theatrepit orchestras led bandleaders to pressure fewer percussionists to cover more percussion parts. Metal consoles were developed to hold Chinese tom- toms, with swing- out stands for snare drums and cymbals. On top of the console was a "contraption" tray (shortened to "trap"), used to hold items like whistles, klaxons, and cowbells, so these drums/kits were dubbed "trap kits". Hi- hat stands became available around 1. In 1. 91. 8 Baby Dodds (Warren "Baby" Dodds, circa 1. Louis Armstrong on the Mississippi, was modifying the military marching set- up and experimenting with playing the drum rims instead of woodblocks, hitting cymbals with sticks (1. Drum maker William Ludwig developed the "sock" or early low- mounted high- hat after observing Dodd's drumming. Ludwig noticed that Dodd tapped his left foot all the time. Dodds had Ludwig raise the newly produced low hats 9 inches higher to make it easier to play, thus creating the modern hi- hat cymbal.[1. Dodds was one of the first drummers to also play the broken- triplet beat that became the standard pulse and roll of modern ride cymbal playing. Dodds also popularized the use of Chinese cymbals.[1.
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